![]() Joyce Coleman, 'New Evidence about Sir Geoffrey Luttrell's Raid on Sempringham Priory, 1312', British Library Journal, 25 (1999), 103-28. Michael Camille, Mirror in Parchment: the Luttrell Psalter and the making of Medieval England (London: Reaktion Books, 1998). Janet Backhouse, "The sale of the Luttrell Psalter." Antiquaries, Book Collectors and the Circles of Learning, ed. Michael Camille, Image on the Edge: The Margins of Medieval Art (London: Reaktion, 1992), pl. Michael Gullick, Calligraphy (London: Studio Editions, 1990), pl. Lucy Freeman Sandler, Gothic Manuscripts 1285-1385, A Survey of Manuscripts Illuminated in the British Isles, (London: Harvey Miller, 1986), no. Jonathan Alexander, 'Painting and Manuscript Illumination for Royal Patrons in the Later Middle Ages', in English Court Culture in the Later Middle Ages, ed. Janet Backhouse, The Illuminated Manuscript (Oxford: Phaidon, 1979), pl. Lucy Freeman Sandler, The Peterborough Psalter in Brussels and other Fenland Manuscripts (London: Harvey Miller, 1974). by Evelyn Antal and John Harthan (London: Routledge & Kegan Paul, 1971), p. 27.įrancis Klingender, Animals in Art and Thought to the end of the Middle Ages, ed. Illuminated Manuscripts Exhibited in the Grenville Library (London, British Museum, 1967), no. Square and diamond-shaped musical notation on a stave of four red lines in the Office of the Dead (ff. It is painted in rich colours embellished with gold and silver, of vitality and sometimes bizarre inventiveness of decoration. This celebrated manuscript, commissioned by a wealthy landowner in the first half of the 14th century, is one of the most striking to survive from the Middle Ages. 1943), American financier, philanthropist and art collector, and repaid with funds raised by public subscription, with assistance from the National Art Collections Fund in 1930. The money was loaned interest-free for one year by Mr John Pierpoint Morgan, Jr (b. 1958), sold privately by her to the British Museum for 30,000 guineas. 1976), widow of Lieutenant Richard Shireburn Weld-Blundell and wife of Alfred Noyes, poet (b. Herbert Weld, offered for sale by him: Sotheby's, 29 July 1929, lot 10, but withdrawn prior to auction. iii) his descendants deposited the manuscript in the Museum on indefinite loan during the years 1896-1906, 1909-1929. 1810) of Lulworth Castle, his armorial bookplate (f. The Weld family inherited Sir Nicholas Sherburne's estate at Stonyhurst in 1754. Other signatures of Sir Nicholas Sherburne are on ff. 12v, 'Liber Nich: Scireburn ex dono Dam: Mariae Charleton de Cartington Ap: An: Do: 1703'. ![]() Sir Nicholas Sherburne (Shireburn), Baronet, of Stonyhurst: his inscription on f. Mary Charlton, wife of Sir Edward Charlton, Baronet, of Hesleyside, county Northumberland: owned by her before 1703: inscription on f. 1563, d.1640) of Naworth: his name inscribed on f. 17 January 1375), Eleanor, widow of Roger, 3rd Baron de la Warr, and niece of Eleanor, Countess of Arundel, above (d. ![]() 17 April 1419) Humphrey de Bohun, 7th Earl of Hereford (d. 11 January 1372), Joan, daughter of Eleanor and wife of the Humphrey de Bohun (d. 1375/6), Eleanor his wife, daughter of Henry Plantagenet, 3rd Earl of Lancaster (d. 1r-12v) in late 14th or early 15th century hands of Richard FitzAlan, 3rd Earl of Arundel (d. The FitzAlan family, earls of Arundel: obits in the calendar (ff. 1340), daughter of Sir Richard de Sutton, and his daughter-in-law Beatrice, daughter of Sir Geoffrey Scrope of Masham, all with coats of arms. 202v) of Sir Geoffrey Luttrell, mounted, armed, and attended by his wife Agnes (d. Galfridus Louterell me fieri fecit' and accompanying miniature (f. 1345) of Irnham, Lincolnshire: inscription: 'Dns. Brown calf with gold and silver tooling is kept separately together with the remains of 14th-century cords and sewing. Brown leather with tooling including a Tudor rose-style emblem. Catchwords in a box surround at the end of each quire except i, xvii and xxiii. ii and iii are paste-downs to the former upper inside cover, kept separately + 3 paper flyleaves at the beginning and 1 parchment former paste-down and 2 paper flyleaves at the end). Numerous initials in red, blue and gold with penwork decoration ![]() Framed initials in colours with gold, with zoomorphic or foliate decoration, at the beginning of the calendar months and remaining psalms. 10 large hybrids in colours in the outer margins of the calendar (ff. Over 400 decorated borders with bas-de page scenes in colours with gold, containing a variety of figural, foliate, monstrous, genre and religious motifs (on every page from f. 11 large historiated initials at beginning of the major Psalms with partial border in colours with gold. One framed bas-de page miniature in colours with gold on a decorated gold ground with full border (f.
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